Things to do in Boston | 5 interdisciplinary events in 2025
By John Short It has often been said that music is capable of “speaking for itself.” But how does music speak when it is…
Carve the Runes Then Be Content with Silence | REVIEW | the premiere of a piece planted in Orkney soil
By Mia Farley St Mary’s Parish Church, Ambleside Scottish composer Erland Cooper’s latest album, Carve the Runes Then Be Content with Silence, is an…
Exit Above – after the tempest | REVIEW | a dance piece inspired by pop music and Shakespeare
By Esmee Wright Sadlers Wells, London Anne Teresa De Keersmaeker’s Exit Above – after the tempest, which received its UK debut at Sadler’s Well…
Sirocco | REVIEW | a seamless musical conversation between different cultures
By Rhea Hagiwara A sirocco is a wind that blows from North Africa into southern Europe. And Manchester Collective’s project in collaboration with South African…
Parabolic Light | REVIEW | Fred Eversley’s first cast resin work stands in bold contrast to New York City’s greys and greens
By Henry Dansicker Doris C. Freedman Plaza, Central Park, New York City Fred Eversley is a pioneer in using light and energy to create…
Circa’s Duck Pond: Q&A about the acrobatics troupe’s new production
This December, the Brisbane based contemporary circus company Circa, will bring its production, Duck Pond, to London’s Southbank Centre. A new take on the Tchaikovsky classic ballet, Swan Lake,…